Compass is a loose and shifting group of about 14 artists and activists, who have been exploring our ties to different neighborhoods, cities, and rural parts around the Great Lakes. It is a collective project of knowing where we are – of inhabiting, traversing and narrating what we call the Midwest Radical Culture Corridor.

An event series and publishing platform on struggles to resist the il-legalization of migration and the political rhetoric of the so-called immigrant rights movement.  http://inaborderworld.org/ Reform is an attempt critique the politics of Immigration Reform organizing and to trace the possibility for abolitionist horizons. It is inspired by the analysis and actions of the No Name Collective… Read more »

A feminist art collective that develops platforms for collaboration with Palestinian women identified artists. We develop cultural and social exchanges, workshops, publications and exhibitions in and about the Occupied Territories of Palestine

a loose network of activists, artists, researchers and writers in Berlin, Hamburg, London (Canada), London (England), Montreal, New York, San Francisco, Tampa, Vienna and Weimar aiming to build structures and processes for critiquing the capitalist art system, reflecting on politicized artistic practices, and developing modes of a militant praxis within and without the field of art

BLW

Artist-activist collective engaged in investigating the power of speech in a culture where oral competence is displaced by media forms. Our methods include the memorization and public re-stagings of significant recordings in the history of radical media as well as organizing public meetings in provocative locations.

Teaching, public walks, performance pedagogy, research. The Center assembled a material archive on histories of collectivism beyond and against the commodity form. It also organized gatherings as a way to interpret this archive and generate knowledge-in-common.

Experimental cultural and social center, 2003-2013. I was involved as a keyholder in the last 4 years. My favorite essay about Mess Hall was written by Dan Wang, see here