A multi-sited performance and video that invite participants to seek other understandings of law, protection and justice. A project by Compass.

Images surreptitiously shot in Schiphol airport while I was detained by immigrations authorities and later deported. The camera records images of the See-Buy-Fly, at that time the largest airport mall in the world, as seen through several layers of glass enclosure that separate the immigration holding area from the mall. The video explores the precariousness of those denied smooth passage through the flows that connect the privileged nodal points of advanced capitalism.

This series of small interventions in highly controlled spaces began shortly after September 11th 2001 and explores surveillance, risk and information management. I recorded in airport security zones: inside X-Ray machines, at passport check points, immigration control, baggage claim.

Enjoy the performance! / The audience member who enjoys the most, wins / Payment consists of full intellectual property rights to the performance / Thank you for your cooperation.

This is a performance as a financial contract as a derivative of a performance.

A pedagogy of listening as a shared, communal and critical knowing. This project re-purposes methods from musicology, structural acoustics and acoustic ecology, and leverages them toward a politicized sense-ing of space as a social making that is implicated in producing relations of power and domination.

The beginning of the end of the cold war: 30 seconds before the first live global broadcast of the televised Romanian revolution on CNN on December 22, 1989.