An allegorical video in four parts, Disclosures considers “post-89” subjectivity in relation to insertion into global capitalism. Part 1 uses images shot in US suburbia for an ad campaign touting the capabilities of night-vision targeting technology, currently used by the US military in the global “war on terror”. Part 2 follows a couple appearing and disappearing in a rotating field. Part 3 tracks the presence of a waiting, solitary camera in an intensely tourist plaza. Part 4, announced by the stern appearance of a CNN anchor on December 29, 1989, follows the tangled interweaving of two dancers.